What can Europe do for its screenwriters and directors?

A Europe without audiovisual works is impossible to imagine. Nevertheless the fact that without authors there would be no films is constantly forgotten. Authors need a secure legal basis – copyright law – and they need collective management organisations (CMOs) to help them enforce their rights and secure fair remuneration, when this cannot be achieved on an individual basis. This has always been the case, but it applies especially in today’s digital world.

The development of copyright and authors’ rights law and copyright and authors’ rights administration law is therefore of central importance for the creators, and for the creative economy. In recent years the driving force for legislation in these areas has increasingly been on the European level: examples are the Directives on orphan works in 2012 and collective rights management in 2014. Further initiatives can be expected from the European Commission. In this situation the authors of audiovisual works and their national CMOs need a strong voice in Europe.

The second edition of SAA’s white paper on audiovisual authors’ rights and remuneration in Europe will be launched in Brussels on 23rd March.  It describes the current situation of screenwriters and directors, and their CMOs, in Europe, and contains concrete proposals for future legislation. In short, it gives an overview of the basic work of the SAA in the next few years.

We hope that many will be able to join us in Brussels on 23rd March and that the White Paper will be circulated as widely as possible.

Guest post from SAA Vice-President, Robert Staats, CEO of VG Wort, Germany

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